voila voila, la nuit tout ça, je hai cette album ↗
(Title) I'm not Madonna, I can make a title that is odd, long, wrong, and bad without downside, except people don't get it because it is bad, wrong, long, and odd. Having one spelling mistake per title is a theme because I make spelling mistakes. Thank God LLMs exist. (Cover) It is supposed to represent the large, dark, half-empty space of Earth below our feet and the half-dark, empty space of sky above our heads. Half is also an album theme.
- 22h - main_menu[Darksynth] liquid bass + glitches coming on the second drop part really give the track its identity with kinda arrhythmic rhythm. (Title): Originally composed for the main menu of a game jam, this is why the track loops.
- 23h - Petit carreau[Synthwave] I love that "electro epic" intro the melody is satisfyingly in sync with the brass. Having a 2 note melody driving the full track which is made interesting by the chords. Also I love the guitar solo. Inspiration from Admo (On the Nightway) and Neon Nox (Twisted Getaway). (Title): Link to an unfinished project.
- 0h - Transition[8-bit -> House] Transition from old to new electro starting with square and triangular signals slowly building up in complexity with the advent of reverb and white noise slowly filling the space. Just to finish with a modern house drop that feels too much like the cover of the album. (Title): Transition from yesterday to tomorrow.
- 1h - J'entend des voix[Trance] My favorite part is the choral + deep bass reminding me Ascendant Vierge. Also drop acceleration at 1:37 hits hard. (Title) Here they are my voices.
- 2h - Deuxieme dinez[Electro-Trap?] One of my favorite tracks of the album thanks to its diversity and uniqueness in such a short 2.55 min. The drop with a trap beat, arrhythmic oscillating harsh synth and an airy voice lead is impossible to categorize. Second drop beat changes to Hispanic with the saturated 808 filling the measures completely changes the vibe. Main inspiration is Area from MagnusTheMagnus with the second drop idea coming from Why Do You Love Me remix from Hippie Sabotage. (Title): is to honor deep composition nights where you start being angry at 2 cause the dinner is too far away.
- 3Н - УоԀк кока[Techno-House] By far the best music of the album, it's a banger. I wanted a half brass half "Lithuanian Russian house bass" drop and I got it. the secret was adding carefully curated pauses in the drop without killing the energy. For the break it was inspired by the music of waiting in the attraction Euro-Mir that never left my mind after the 1h wait. Second build-up is long enough to fool one's expectation with many unexpected rhythm changes. That 1s silence at 2:30 hits hard and I LOVE IT! Second start way more techno with brass taking more and more space until they regain half of their time on the second part of the drop. I love everything about that track every unique part never a single part is recycled everything rolls out as continuous experience until exhaustion. (Title): No Comment
- 4h - Nyctalopi [Deep-House] Intro shows you that having a 4-note budget with a shared allocation for the bass and the melody is enough to get you a 4-bar pattern that sounds filled. (Title): No Comment + Sounds cool using fancy+original words
- 6h - étage6[Liminal] .. \ .-.. .. ...- . -.. \ - .-- --- \ - .. -- . ... \ .. -. \ -- -.-- \ .-.. .. ..-. . \ .- - \ - .... . \ -.... - .... \ ..-. .-.. --- --- .-. \ -... ..- - \ - .... .. ... \ -- ..- ... .. -.-. \ .-. . -- .. -. -.. ... \ -- . \ --- ..-. \ - .... . \ --- -. . \ .. \ .-- .- ... \ .. -. \ .-- .... . -. \ .. \ .-- .- ... \ .- - \ . ... - .- -.-. .- .-.-.- \ - .-. ..- ... - \ -- . \ .. - \ .-- .- ... \ .- \ ... -.-. .- .-. .-. -.-- \ .--. .-.. .- -.-. . \ - --- \ ... .-.. . . .--. .. -. .-.-.- \ - .... .. ... \ ... --- -. --. \ .. ... \ .- -... --- ..- - \ .-- .... .- - \ .. \ ..-. . . .-.. \ .-- .... . -. \ .. \ - .... .. -. -.- \ -... .- -.-. -.- \ .- -... --- ..- - \ - .... .- - \ .-.. --- -. --. \ --. --- -. . \ .--. .- ... - \ -- --- -- . -. - \ --- ..-. \ -- -.-- \ .-.. .. ..-. .
- 7h - Dernière étoile [French-Chill] I call that style French Chill cause only French artists like to do those chill + vocal chops tracks like Petit Biscuit. Home-made electric guitar chords drive the track, brass gives the tempo, small bells introduce main melody. Switching to one voice sample with few fast note repetitions is my specialty by now. (Title) Nice parallel between the last visible at the end of the night and the heat death of the universe aka classical nihilism shit. I originally intended having the first album track named for same reasons "Premiere étoile" but it sounds less depressing I guess. I placed that track here cause it reminds me of that empty street + electric blue sky atmosphere when coming back from a party on foot.
